The two sentences that seem to foreshadow Dexter’s future obsession with “possessing” Judy Jones are "He wanted not association with glittering things and glittering people—he wanted the glittering things themselves" and "Often he reached out for the best without knowing why he wanted it—and sometimes he ran up against the mysterious denials and prohibitions in which life indulges".
In "Winter Dreams" by F. Scott Fitzgerald, Dexter, who is the main character of the story, believes that Judy is the ideal woman. Although she is selfish, he pursues Judy because he has an idealistic view of her; in other words, he does not conceive her as a flawed human being. However, this idealistic view is shattered when she becomes a housewife.
This two sentences seem to foreshadow Dexter's obsession because the phrase<u> "glittering things" could refer to Judy,</u> whom Dexter sees as radiant. Moreover, the second sentence, which implies that Dexter wanted things without knowing why, is connected to the fact that <u>he never loved Judy for who she was since he was always in love with an ideal of womanhood. </u>
Answer: i would think it would be bold sections, headings, and roman numerals
Explanation: i think it is this because we have to select 3 responses. there are no images or bulleted lists, so that just leaves us with these 3
C because after being active your body gets used to the exercise so your body makes higher energy levels
Answer:
Donne uses the extended metaphor of a ‘city’ not only in ‘Holy Sonnet XIV’ but also in ‘Loves War’. In this Elegy which was written in Donne’s youth, he describes a ‘free City’ which ‘thyself allow to anyone’ – a metaphor for how anyone can enter a woman [ii] – and goes onto say how in there he would like to ‘batter, bleeds and dye’. Here, Donne is controlling the ‘city’ and taking over it himself, however, if Donne intended to use this same metaphor in ‘Holy Sonnet XIV’, the roles have changed and it now signifies how it is Donne who needs to be seized by God’s spirit. Furthermore, this represents how Donne’s life and therefore attitude has changed between writing these poems; he used to feel in control but now he is controlled.
The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.
Answer:
The plot is the main events of a play, novel, movie, or similar work, devised and presented by the writer as an interrelated sequence.
Explanation:
In a literary work, film or other narrative or story, the plot is the sequence of events, where each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so".
