The process of design is best described with the word "creating".
During the process of design the artists make plan how to create something (painting or another art piece), take <span>activities in creating visual, auditory or performing artifact.
But the work they are doing is creating something new.
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Minimum - a tendency that some have referred to as the "dematerialization" of art.Conceptual artists were influenced by the brutal simplicity of Minimalism, but they rejected Minimalism's embrace of the conventions of sculpture and painting as mainstays of artistic production. For Conceptual artists, art need not look like a traditional work of art, or even take any physical form at all.The analysis of art that was pursued by many Conceptual artists encouraged them to believe that if the artist began the artwork, the museum or gallery and the audience in some way completed it. This category of Conceptual art is known as 'institutional critique,' which can be understood as part of an even greater shift away from emphasizing the object-based work of art to pointedly expressing cultural values of society at large.Much Conceptual art is self-conscious or self-referential. Like Duchamp and other modernists, they created art that is about art, and pushed its limits by using minimal materials and even text.
Answer:
The Paris Commune
Explanation:
The Franco-German War broke out in 1870, the Second Empire collapsed, and the Third Republic was proclaimed. On March 18, 1871, the republican Paris Commune was established to fight the Germans in France as well as to fight the Army of Versailles, which had remained loyal to Napoleon III and had concluded an armistice with the Germans that the members of the Commune judged to be dishonourable. Courbet, who had been recently elected president of the artists’ federation and was charged with reopening the museums and organizing the annual Salon, took part in the revolutionary activities of the Commune. Instead of opening the museums, he decided to protect the major public monuments, especially the Sèvres porcelain factory and the palace at Fontainebleau, for Paris had been under constant bombardment by the Germans. Alarmed by the excesses of the Commune, he resigned May 2.
