Answer:
Tony is reflecting on the baseball game that he just attended, wishing that he had remembered his camera. He recalls the final inning when his
favorite team was down by several runs, three batters were on base, and a mediocre hitter was at bat. After the pitch was thrown, the hitter hit a
huge home run bringing all the batters home and winning the game. Everyone was cheering and jumping up and down and hugging. If Tony had
remembered his camera, what specific moment should he have snapped a photo of if he wanted to capture the most critical point of the game?
ОА
Explanation:
F is the submediant degree of the major scale whose relative minor has a signature of four flats. 6. G is ^7 in the natural form of the minor scale whose parallel major has a signature of three sharps.
if I remember correctly it is c. hope this helps :)
Answer:
Explanation:
Many art historians consider the High Renaissance to be largely dominated by three individuals: Michelangelo, Raphael, and Leonardo da Vinci.
Mannerism , which emerged in the latter years of the Italian High Renaissance, is notable for its intellectual sophistication and its artificial (as opposed to naturalistic) qualities, such as elongated proportions, stylized poses, and lack of clear perspective .
Some historians regard Mannerism as a degeneration of High Renaissance classicism, or even as an interlude between High Renaissance and Baroque —in which case the dates are usually from c. 1520 to 1600 and it is considered a positive style complete in and of itself.
Key Terms
High Renaissance: The period in art history denoting the apogee of the visual arts in the Italian Renaissance. The High Renaissance period is traditionally taken to have begun in the 1490s, with Leonardo’s fresco of The Last Supper in Milan and the death of Lorenzo de’ Medici in Florence, and to have ended in 1527, with the Sack of Rome by the troops of Charles V.
Mannerism: A style of art developed at the end of the High Renaissance, characterized by the deliberate distortion and exaggeration of perspective, especially the elongation of figures