<h2>These six words were written by Ernest Hemingway, Arthur C. Clarke, or The Spokane Press doesn’t really matter. It’s a premier example of everything fiction’s shortest form can do.</h2>
<h2>In a world of novels, essays, and short stories, flash fiction is underdog prose. Scarcely discussed and often poorly defined, it becomes that much more exciting, edgy, and experimental. Twist endings and sudden violence are hallmarks of the form, where just six words can allude to the tragic death of a child.</h2>
<h2>Flash fiction is dangerous — it asks the writer to surrender all safety nets and let a mere smattering of sentences speak for themselves. But it can also be extremely rewarding, if done right. Before we get into that, however, let’s gauge what it actually is.</h2>
<h2>Mark me as brainliest ❤️</h2>
Answer:
A culture is made up of the things that make a certain country special.
Explanation:
The main idea can generally be found at the beginning or end of the paragraph. It summarizes the content of the passage itself.
Answer: B. It provides a humorous parallel to the main plot.
Explanation:
Shakespeare's <em>The Tempest</em> explores the theme of subordination embodied primarily in the relationship between Caliban and his master, Prospero. The subplot involving Stephano and Trinculo includes some of the most important issues present in the main plot, but serves as a comic relief from the main action. For example, Stephano and Trinculo joke about selling Caliban for a piece of silver, calling him 'a strange fish' (Act II, Scene II).
Answer:
A verb is an action word which tells what a person or a thing is doing/tsking place.
A.
It lets the reader know what the stakes of the story are
