Answer:
Maybe try showing more fear of the spider, like shaking, sweating, etc.. You could also try dragging out the part before you kill the spider, like when you're walking towards it. When you end the story, you can say something about how the spider was small, probably couldn't hurt you, and other things like that.
Explanation:
Here's an example of this:
I frantically scanned my room for a weapon, I could feel my heart trying to beat out of my chest, my eyes locked on my blue slippers. I grabbed them, my hands were shaking, my knuckles were white, fear and dread bubbled up inside of me. I moved slowly, shaking more and more and I got closer to the 8-legged demon. When the spider was in swinging range, I took a deep breath, I could barely breathe and I was panicking. In my head, I shouted, "I am bigger than that spider; I will kill that spider!" Gripping my blue slippers I swung. I held my slipper there, pressed against the wall, one, two, three. Just then I realized that the spider was probably dead, I quickly dropped the slipper and scrambled to the other side of my room, then I realized...
These are just some ideas, but I hope this helps :) please excuse the not so great paragraph
Answer: A
Explanation: 2 Reasons. One, it makes more sense than the others. And two, it isn't talking about an actual gun so not d. Why would he need muscles? Answer that. If you can't it's not C. B....Just no. So A.
Answer:
I'm going to start off by saying that I'm answering this assuming that the two stories you're referring to are "The Road Not Taken" by Robert Frost and "The Railway Train" by Emily Dickinson because these are two famous pieces and it's likely that you are referring to them.
Now, onto the comparing! Both of these stories are set in a natural, and people-free, almost lonely sort of environment. They both focus on a certain thing, whether it be a path or a train, in an environment with grass, meadows, mountains, and other such things while neglecting to mention anything relating to people. The lonely setting only serves to support the poems though, as they draw more focus to their main ideas.
These poems are different because while "The Road Not Taken" focuses on just a smaller area, a fork in a road, "The Railway Train" describes a train using personification as it moves along a whole countryside. The more pinpointed and focused setting of "The Road Not Taken" helps the reader understand what a vital, focused moment it was in the author's life it was, when they decided to choose the less-worn path. In "The Railway Train," the wider setting of a whole countryside that describes a meandering train evokes a sort of awe in the reader because it's almost like describing an adventure. This way of describing the path of the train in a wider setting helps the reader understand why the author likes watching the trains so much.
Ur wife should help me with my assignment
