Answer:
Welty says Phoenix is “very old and small” and walks with a cane and I infer that she is poor from the rag on her hair and her flour-sack apron. With unlaced shoes and tired steps, she seems an unlikely “phoenix." But her name is not purely ironic. Phoenix is strong, seen in the way she deals with obstacles like thorns and a hunter’s gun. Welty hints at this when Phoenix says that she isn’t as old as she thought. Her strength and dignity suggests a phoenix-like ability to rise from the ashes of poverty and racial isolation. The name also suggests Phoenix’s longevity: though the story takes place in 1941, she was already too old in 1865 to go to school. Like a phoenix, too, she makes her journey again and again without failure. This is why Eudora Welty chose to name the main character Phoenix.
Explanation:
The part of the story that this passage most likely represent is known to be option a: the climax.
<h3>What does the climax explain?</h3>
In the structure of any given story, the climax is known to b term also as the crisis and this is one that shows the decisive point or turning phase, at which the rising action of any story is said to be returned or reversed to falling action.
Note that in the passage attached of the monkey paws, the knocking was said to have ceased instantly and thereafter a rushing wind.
Therefore, based on the above, The part of the story that this passage most likely represent is known to be option a: the climax.
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Its a trick question for ppl that havent yet read the book
Well to me it seems like the answer is Jealousy
Answer:
"Birmingham Sunday" was written as a song and is in the form of a broadside ballad. The structure was formed in part to match the old Scottish folk song "I Once Loved a Lass." I think Fariña may have chosen to use an old melody because he wanted the message to be the main focus of the song. The familiarity of the melody meant that people may have been able to sing along, so all they needed to do was to learn the words. The song has a pattern, which is broken occasionally. The main pattern for syllables in a stanza is 11, 11, 11, and 10. However, Fariña occasionally breaks from this pattern, almost as if stressing particular messages. The first break is in line 7: "At an old Baptist church there was no need to run." This line is 12 syllables instead of the usual 11. The line is also heavy with irony, so it could be that Fariña wanted to emphasize its irony and foreshadow what will happen. The second break is in line 17: "And the number her killers had given was four," referring to Carol Robertson. It is possible that this line was given an extra syllable (12 instead of 11) to emphasize Carol, who was the last victim mentioned in the song. The syllable pattern does not break again until line 30: "And I can't do much more than to sing you a song." This could be to emphasize the helplessness that some felt as a result of the injustice. The song also utilized end rhyme. Using letters to represent end rhymes, most stanzas (except the first) looked like this: AAAB. It is interesting that the first stanza starts off not following this pattern. Instead, it follows a rhyme pattern of AABC. The "B" that seems out of place happens to be the powerful line, "On Birmingham Sunday the blood ran like wine." Perhaps Fariña wanted to keep this line, which utilizes figurative language to hint at the destruction, the topic of the song.
Explanation:
