In the poem from Dylan Thomas, ''Do Not Go Gentle Into That Good Night,'' he is convincing and telling his father to fight away death. In the poem, Dylan wrote, ''dying of the light,'' quoting that he is referring to death. To accompany the situation and description of death he writes, ''Do not go gentle into that goof night.'' Throughout the poem Thomas is convincing the readers to deny death and fight it. The writer uses imagery to paint a vivid picture inside the readers head.
''The Charge Of The Light Brigade'' is a poem by Lord Tennyson, that tells a story to the readers. The story is abut how the Light brigade went to war. The writer uses terrifying description of the war and how the men died: <span> “Shattered and sundered. They rode back, but not, not the six hundred.” When reading the poem you receive a sense of anxiousness as the poem goes on to describe the war.
The Dylan Thomas poem says you should fight death, but Lord Tennyson's poem says you should somewhat accept it.
</span>Hope i helped!
overall tone: foreboding
words that help establish tone: sickly prey and shadows
how they create tone: they have dark, ominous connotations
i just answered this question on ed so i know this is correct :)
What ?? Your question is confusing
1. The most important thing in the "Allegory of the Cave" is that the people chained up had to interpret the shadows behind them. The main theme is that human perception cannot derive true knowledge, and instead, real knowledge can only come via philosophical reasoning.
2. You can relate this to life because if someone says something and encourages everyone else to believe them, they'll live their life believing something that's not true.
The symbolism of the new cloak in this excerpt is - the new cloak represents Odysseus's transformation from a weary traveler to the returning hero.
He spent many years on the sea, far from his family and loved ones, and he became old and tired. This new cloak is his transformation - he is a hero now, and he has come back to Ithaca to rule again.
