The heart of the Piedmont is the valley of the Po river, south of which intenisve agriculture is conducted. These low lands produce rice, wheat, milk and fruits. In the hills the production of wines is favoured by the weather, including the "Barbera" and "Asti" varieties .
B. Determination of Rights and Unity for Monominee Shareholders
When the first satellite called the Sputnik was launched into space, it was about the size of a<u> beach ball. </u>
Sputnik:
- Was the first man-made satellite
- Was made by the Soviets
- Was about the size of a beach ball
The satellite was about 22.8 inches in diameter when measured which is about the size of a beach ball and it was able to stay in space for about an hour and half.
In conclusion, it was about the size of a beach ball.
<em>Find out more about </em><em>Sputnik </em><em>at brainly.com/question/794381. </em>
There is very little interest in aiding today's Native Americans and certainly one is not giving them back their lands. There are 605 tribes among the Native Americans and most of them work daily to bring to the nations non-Native Americans up to speed about the continuing conditions of Native American reservation regarding schools and daily health care.
<span>Most recently Native Americans have brought the continuing use of Native American sports mascots to be changed. Specifically, changing the name of the NFL's Washington DC football team.</span>
Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
