The correct answer is : The Book of the Dead.
<em>The Book of the Dead is</em> an ancient Egyptian funerary text, a collection of magic spells which enable the soul of the deceased to navigate the after life.
These spells were designed to provide protection and help to the spirit of the dead person. The afterlife was considered to be a continuation of life on earth. The spirit had to pass many difficulties and judgement in the Hall of True before it could reach a paradise. The spells were there to assist the spirits during the passage, giving them instructions and enabling them to assume the form of several mystic creatures. It also contained passwords necessary for admittance to certain stages to the underworld.
The spells were usually written on a tablet or a sarcophagus instead of papyrus, this was the reason why many copies survived.
The type of economic system when government owns the factors of production, answers the question of who, what and how to produce, and eliminates choice and competition is called a command economy. It is the opposite of a market economy.
Answer:
A allowing citizens to participate in a government
Explanation:
1.d
2.b
3.b
4.a
5.d
are the answers
The Harlem Renaissance took place at a time when European and white American writers and artists were particularly interested in African American artistic production, in part because of their interest in the “primitive.”<span>Modernist primitivism was a multifaceted phenomenon partly inspired by Freudian psychology, but it tended to extol so-called </span>“primitive”<span> peoples as enjoying a more direct and authentic relationship to the natural world and to simple human feeling than so-called </span>“over-civilized”<span> whites. They therefore were presumed by some to hold the key to the renovation of the arts. Early in the twentieth century, European avant-garde artists including Pablo Picasso (1881</span>–1974) had been inspired in part by African masks to break from earlier representational styles toward abstraction in painting and sculpture. The prestige of these revolutionary experiments caused African American intellectuals to look on African artistic traditions with new appreciation and to imagine new forms of self-representation, a desire reinforced by rising interest in black history. Black History Week, now Black History Month, was first celebrated in 1928 at the instigation of the historian Carter G. Woodson (1875–<span>1950).</span>
