Answer:
"The incarnation of Jesus"
Explanation:
in other words, the argument was that Jesus, one of the members of the trinity, was "made of flesh and bone" and therefore could be painted, unlike the other parts of the trinity which are argued to be "of the spirit"
in other words, if I may be so brash in my wording, people were more or less like
"you can't draw what you can't see!"
and the catholic church was like
"BUT YOU CAN SEE JESUS, HE HAS A BODY"
(sorry but I just found the simplified argument a bit funny, I'm sitting here imagining my siblings arguing about if ghosts are real again...)
Answer:
Explanation:
The temporary art - such as public art that is exhibited only for a short amount of time or visual performances - can't be experienced by everyone and in a longer period. Therefore, the only way to preserve this art is to document it via text, video or a photograph.
<u>We must expect that the art won't stay the same and provoke the same feelings as the original, temporary art. </u><u>Seeing something in real-time and in real life, experiencing the movements, the size of it, the three-dimensionality, is something that is different from anything else. That is why the art is exhibited or performed in the first place, even if for a temporary time.</u>
What we can expect is to change the focus of art.
This does mean the art will become more two dimensional. However, we can provide that documenting it becomes another, a special form of art that will save the part of original quality, but that will absorb qualities of another form of art.
<u>If we photograph the temporary sculpture in the public space, we can provide that the way we photograph it (aerial photography, with many spectators, isolated, in a different light) expands some of its qualities. If we make the video of the performance, we can use special techniques that are used in filming to accent certain aspects of the performance.</u>
<u>Therefore, while the art will lose some of its three-dimensionality it will gain different qualities and will transform itself into a completely different medium of the art piece.</u>
Donnie Darko!! It's not technically a horror movie but it is a bit eerie, one of my favorite movies ever.
On the dusty tarmac of an airport in Northern Afghanistan, six planes have been waiting for days.
Thousands of Afghans seeking to escape Taliban rule have converged in the vicinity of the airstrip, located outside Mazar-i-Sharif, on the promise of a charter flight out of the country.
But since Sept. 3, the planes have been stranded. The final flight out of the sleepy airport left Sept. 2.
Into this taut and fluid situation stepped an unlikely personage: Glenn Beck, the far-right radio host who made a name for himself on the Obama conspiracy circuit.
As Afghanistan collapsed over the past months, Beck claimed to have raised more than $35 million to finance what he describes as a massive evacuation effort for Christians, American citizens, and vulnerable Afghans. Beck says he has done that via a Utah group he founded called Nazarene Fund, which has been working with another Beck-founded charity called Mercury One to organize charter flights.
Like many of Beck’s broadcasts on TheBlaze, the Afghan ones have been filled with a mix of exaggeration and invective, with most of the right-wing firebrand’s ire directed not at the Taliban but at “laughing” bureaucrats in the State Department and the Biden White House. With the six charter planes blocked from leaving Mazar by the Taliban, Beck has claimed that lollygagging diplomats and an uncaring Biden has left thousands of American citizens and vulnerable Afghans to the mercy of the new regime.
Beck’s bomb-throwing came as the State Department began to face mounting criticism from those involved in the charter flights, who saw Mazar as a means to quietly evacuate thousands of vulnerable Afghans and some American citizens in the days after the U.S. withdrawal. With global attention still focused on Kabul, people familiar with the evacuation effort said, Mazar offered a discreet escape route.
But as the Mazar window remained open in the first days of September, people involved said, the State Department struggled to develop consistent guidance on how private charters could secure approvals for the flights – a complicated process occurring in a near-warzone that involves vetting passenger manifests and getting destination countries to issue landing authorizations.
Meanwhile, Beck trained his megaphone on the delicate evacuation effort. At times, even Beck has admitted to being asked to tone down his “fat mouth,” as he called it, not always with success.
A way of regarding situations or topics etc.
