Answer:
This scene signals a major change in the plot of Animal Farm because at this point of the story it is revealed that Napoleon has started to be corrupted as he seizes power from Snowball using violence. Napoleon also wants to rewrite history as he convinces the other animals that he is doing them a favour by taking up the position of the leader on his own. He also tries to convince them that he is better than Snowball and he presents the facts in the way he wants in an attempt to rewrite history. This scene is the climax of Animal Farm. Napoleon's seizing of power seems to be what he always wanted to do and in this scene he finally manages to do it, thus revealing his true self. The worst part is that he tries to present his actions as legitimate and in the end he convinces the other animals that his behavior is acceptable.
Explanation:
Whaaaaaat? What does that mean
The blue ringed octopus is hard to see due to its size (about a pencil).
<span>I believe the correct answer is B. And I say it is as great to be a woman as to be a man. This line shows us that Whitman thinks of men and women the same - in his eyes, it is equally good to be either a woman or a man, he doesn't care about the gender of a person, what he cares about are their inner qualities. </span>
Answer:
“A Red, Red Rose,” also titled in some anthologies according to its first line, “O, my luve is like a red, red rose,” was written in 1794 and printed in 1796. The song may be enjoyed as a simple, unaffected effusion of sentiment, or it may be understood on a more complex level as a lover’s promises that are full of contradictions, ironies, and paradoxes. The reader should keep in mind the fact that Burns constructed the poem, stanza by stanza, by “deconstructing” old songs and ballads to use parts that he could revise and improve. For example, Burns’s first stanza may be compared with his source, “The Wanton Wife of Castle Gate”: “Her cheeks are like the roses/ That blossom fresh in June;/ O, she’s like a new-strung instrument/ That’s newly put in tune.” Clearly, Burns’s version is more delicate, while at the same time audaciously calculated. By emphasizing the absolute redness of the rose—the “red, red rose”—the poet demonstrates his seeming artlessness as a sign of sincerity. What other poet could rhyme “June” and “tune” without appearing hackneyed? With Burns, the very simplicity of the language works toward an effect of absolute purity.
Explanation:
no explanation :)
