Today the easily recognized image of the flapper symbolizes the 1920s<span> for many people. The flapper—with her short skirts, short hair, noticeable makeup, and fun-loving attitude—represented a </span>new<span> freedom for </span>women<span>. ... However, the average </span>woman<span> did wear the fashions made popular by flappers.</span>
Answer:
B. Wages decrease
Explanation:
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Children were viewed as noble savages with an intrinsic plan for orderly, healthy growth by the French philosopher Jean-Jacques Rousseau in the 18th century. Stage and maturation are ideas that are part of Rousseau's philosophy.
A fictionalized representation of an uncivilized man, the noble savage represents the inherent goodness of a person who has not been subjected to civilization's corrupting forces.
A recurring motif in Romantic literature from the 18th and 19th centuries, particularly in Jean-Jacques Rousseau's writings, is the exaltation of the noble barbarian. For instance, Émile, ou, De l' education, 4 vol. (1762), is a lengthy essay on the corrupting effects of conventional education; Confessions (written in 1765–1770), an autobiography, affirms the fundamental idea of human goodness; and Dreams of noble savages a Solitary Walker (written in 1777–1778), a book of nature descriptions and man's natural reaction to them, are both found in Dreams of a Solitary Walker.
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Answer:
From 1948 through the 1990s, a single word dominated life in South Africa. Apartheid—Afrikaans for “apartness”—kept the country’s majority black population under the thumb of a small white minority. It would take decades of struggle to stop the policy, which affected every facet of life in a country locked in centuries-old patterns of discrimination and racism. The segregation began in 1948 after the National Party came to power. The nationalist political party instituted policies of white supremacy, which empowered white South Africans who descended from both Dutch and British settlers in South Africa while further disenfranchising black Africans.
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