1. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs.
-Personification is shown in this excerpt, specifically in the line "I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs." Because the author is giving human like characteristics to the light.
2. Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!
- The line "for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete" uses a metaphor because the vents that take place aren't literally hell, but they are describing it in a way that makes it feels that way.
Your answer will be Cilia and lamellipodia.
Thoreau uses the description of the movement of the trees and the serenity of the lake to support the idea that true reflection is achieved through solitude, ideally while in nature. Thoreau believes that a oneness with nature and with the self are essential for becoming a more enlightened person, and that solitude is key ingredient for this. Thoreau describes the serenity of the lake and its distance from the storm, much as he would describe the serenity of the mind when far from the hustle and bustle of society.
Whereas Ralph and Jack stand at opposite ends of the spectrum between civilization and savagery, Simon stands on an entirely different plane from all the other boys. Simon embodies a kind of innate, spiritual human goodness that is deeply connected with nature and, in its own way, as primal as Jack’s evil. The other boys abandon moral behavior as soon as civilization is no longer there to impose it upon them. They are not innately moral; rather, the adult world—the threat of punishment for misdeeds—has conditioned them to act morally. To an extent, even the seemingly civilized Ralph and Piggy are products of social conditioning, as we see when they participate in the hunt-dance.
In Golding’s view, the human impulse toward civilization is not as deeply rooted as the human impulse toward savagery. Unlike all the other boys on the island, Simon acts morally not out of guilt or shame but because he believes in the inherent value of morality. He behaves kindly toward the younger children, and he is the first to realize the problem posed by the beast and the Lord of the Flies—that is, that the monster on the island is not a real, physical beast but rather a savagery that lurks within each human being. The sow’s head on the stake symbolizes this idea, as we see in Simon’s vision of the head speaking to him. Ultimately, this idea of the inherent evil within each human being stands as the moral conclusion and central problem of the novel. Against this idea of evil, Simon represents a contrary idea of essential human goodness. However, his brutal murder at the hands of the other boys indicates the scarcity of that good amid an overwhelming abundance of evil.
