The correct answer is
dactylic. Dactylic meter means that syllables come in groups of three: stressed
+ unstressed + unstressed, which is the way of colloquial speech sounds. In
this line the emphasis are ON a hill FAR away STOOD an old RUGGed cross.
<span>The technique to determine
this is to put extra emphasis when reading the line in both ways, that way your
brain will automatically notice what doesn’t sound natural.</span>
I think its D. I'm sorry if it is wrong.
Hey there!
<u>Answer:</u> The author describes the dangerous situation that the characters in the story are facing.
<u>Explanation:</u> As we read each part from the passage, we see that all of them contain one thing. And, what exactly is that? We see that all of them contain the situation that they're all experiencing at the moment.
<u>Cited text:</u> <em>“I shouldn’t think of this as easy. I know what I need to do here, but I could lose one these men if just one thing goes wrong.”</em>
We can see that this is a present statement, and that something is going wrong between those people. I'm supposing it's a fire or something of that nature.
Answer:
D.
Explanation:
Dialouge does not slow the story. It more makes the story progress more instead.
- Grete’s insistence near the end of the story that it would be best for her family to get rid of Gregor, and her claim that “it” was not her brother anymore: betrayal
- Mr. Samsa’s physical abuse of Gregor with the apple, which severely injures him and limits his ability to move: persecution
- Gregor’s enjoyment at being able to crawl around his room all day without having to deal with any family or work-related responsibility: freedom
- Gregor’s inability to communicate with others after his transformation into an insect: isolation
<em>The Metamorphosis</em> is a book by Jewish author Franz Kafka. The book was published in 1915, and it tells the story of a salesman, Gregor Samsa, who wakes up one morning to find that he has been tranformed into a huge insect for no apparent reason. Both him and his family need to adjust to this change, and the way the do so constitutes the rest of the novel.