Advent is most synonymous with “introduction”.
In Act IV, Claudius as a king (that is, a figure with ultimate earthly authority) tries to protect and preserve the public morality embodied in the social order, ensuring that transgressor - in this case, his nephew Hamlet - must be punished for murder. This kingly decision would have to be irrevocable, and Claudius would have to treat Hamlet just like any other subject. However, this public morality clashes with Claudius' personal morality. Being a murderer himself, he is afraid of Hamlet and what he might find out. So, he wants to just get rid of him, sending him off to England, while arranging for his murder too. The king and the offender in him have to come to terms with each other, but it doesn't go smoothly.
Consuming more of your resources is a representation of status and bond. Having a large abundance of said resources causes your social status grows. Your friend circle starts to expand as you meet more people.
World War I, the war that was originally expected to be “over by Christmas,” dragged on for four years with a grim brutality brought on by the dawn of trench warfare and advanced weapons, including chemical weapons. The horrors of that conflict altered the world for decades – and writers reflected that shifted outlook in their work. As Virginia Woolf would later write, “Then suddenly, like a chasm in a smooth road, the war came.”
Early works were romantic sonnets of war and death.
Among the first to document the “chasm” of the war were soldiers themselves. At first, idealism persisted as leaders glorified young soldiers marching off for the good of the country.
English poet Rupert Brooke, after enlisting in Britain’s Royal Navy, wrote a series of patriotic sonnets, including “The Soldier,” which read:
If I should die, think only this of me:
That there’s some corner of a foreign field
That is for ever England.
Brooke, after being deployed in the Allied invasion of Gallipoli, would die of blood poisoning in 1915.
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