The supported South Korea because they were breaking away from North Korea’s communistic beliefs. This was an example of soft power used in the Cold War.
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Reconstruction involved more than the meaning of emancipation. Women also sought to redefine their roles within the nation and in their local communities. The abolitionist and women’s rights movements simultaneously converged and began to clash. In the South, both black and white women struggled to make sense of a world of death and change. In Reconstruction, leading women’s rights advocate Elizabeth Cady Stanton saw an unprecedented opportunity for disenfranchised groups—women as well as African Americans, northern and southern—to seize political rights. Stanton formed the Women’s Loyal National League in 1863, which petitioned Congress for a constitutional amendment abolishing slavery. The Thirteenth Amendment marked a victory not only for the antislavery cause, but also for the Loyal League, proving women’s political efficacy and the possibility for radical change. Now, as Congress debated the meanings of freedom, equality, and citizenship for former slaves, women’s rights leaders saw an opening to advance transformations in women’s status, too. On the tenth of May 1866, just one year after the war, the Eleventh National Women’s Rights Convention met in New York City to discuss what many agreed was an extraordinary moment, full of promise for fundamental social change. Elizabeth Cady Stanton presided over the meeting. Also in attendance were prominent abolitionists, with whom Stanton and other women’s rights leaders had joined forces in the years leading up to the war. Addressing this crowd of social reformers, Stanton captured the radical spirit of the hour: “now in the reconstruction,” she declared, “is the opportunity, perhaps for the century, to base our government on the broad principle of equal rights for all. "Stanton chose her universal language—“equal rights for all”—with intention, setting an agenda of universal suffrage for the activists. Thus, in 1866, the National Women’s Rights Convention officially merged with the American Antislavery Society to form the American Equal Rights Association (AERA). This union marked the culmination of the longstanding partnership between abolitionist and women’s rights advocates.
Explanation:
Answer:
male and this is why
Explanation:
African and African-American Dance is a broad term referring to the many dance styles from the cultures and countries of the African continent, but particularly Southern Africa. African dance most often refers to traditional social dance, and to ceremonial or religious dance—danced communal religious observances led either by priests or girots who perform ritual dance-dramas that share cultural traditions or community history through metaphorical statements expressed in music and dance.
African dance has also been an important influence on social dance in all parts of the African Diaspora, but particularly throughout the Americas and the Caribbean, and on modern dance since the second half of the 20th Century. Dance scholar, Brenda Dixon Gottschild, wrote in 1993, “Any serious attempt to study Black dance (in the United States) demands a study of African and New World Black cultures.”
African dance is polyrhythmic—the simultaneous sounding of two or more independent rhythms in drummers and dancers, the relationship of rhythm to movement is key. African dance is notable for the close, multi-directional relationships among participants, often called a conversation, between drummer and dancer, and also drummer to drummer and dancer to dancer. During stage performances the fourth wall often comes down, communication extending between dancer, drummers, and audience members.
When they began to compete certain aspects of the completion were who could create better art. That led to artists creating better art.