Answer:
- The tools such as bits, reins, halters, knives, and whips symbolize the oppression of the working class under the tsar.
Explanation:
Each one of those devices represent to the vehicle of the dictatorship to have the people under their control. The viciousness, the consistent compromise of their lives. It speaks to the absence of decisions the common laborers had under the tsar' regime.
The question belongs to this passage from chapter 2 of Animal Farm:
<em> The harness-room at the end of the stables was broken open; the bits, the nose-rings, the dog-chains, the cruel knives with which Mr. Jones had been used to castrate the pigs and lambs, were all flung down the well. The reins, the halters, the blinkers, the degrading nosebags, were thrown on to the rubbish fire which was burning in the yard. So were the whips. All the animals capered with joy when they saw the whips going up in flames.</em>
Postmodern society a society occurring after the modern society. It can mean as a new practice that replaces or reorganizes concepts dealt with by modernism or an extension of the modern - same concepts but more validated techniques. It is also the age of capitalism in a global marketplace.
I would go with Option C, <span>It has a negative connotation, suggesting that Angela’s brother is silly or lacks sophistication.</span>
I would like to give you a simple background about figurative language and sensory imagery.
The sensory details or figurative language used to describe, arouse emotion, or represent abstractions. On a physical level, imagery uses terms related to the five senses: visual, auditory, tactile, gustatory, and olfactory. On a broader and deeper level, however, one image can represent more than one thing. For example, a rose may present visual imagery while also representing the color in a womans cheeks and/or symbolizing some degree of perfection. An author may use complex imagery while simultaneously employing other figures of speech, especially metaphor and simile. In addition, this term can apply to the total of all the images in a work.
