I think that it is after the salutation or before the closing of the letter. If it were a letter, it would look like this:
Dear Dr. Doctor,
(Dear is the Salutation). Body of letter. Body of letter. Body of letter. Body of letter. Body of letter. Body of letter. Body of letter. Body of letter. Body of letter. Body of letter.
Sincerely,
Brainly
Answer:
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Explanation:
Let me put it clear for you that <span>Hyperbole is the use of exaggeration as a rhetorical device or figure of speech. It may be used to evoke strong feelings or to create a strong impression, but is not meant to be taken literally Hyperboles are exaggerations to create emphasis or effect. As a literary device, hyperbole is often used in poetry, and is frequently encountered in casual speech.
</span><span>A key reason to include hyperbole in a literary work is that it includes to add humor and to heighten the effect.</span>
I think it a or b but think more a sorry if I am wrong
Answer:
Explanation:
One of the two protagonists of All the Light We Cannot See, Marie-Laure LeBlanc is an inquisitive, intellectually adventurous girl. She became blind at the age of six, but learns to adapt to this and continues to explore and discover. For most of the novel, Marie-Laure is a teenager, but by the end of the novel she’s an old woman. Marie-Laure is a warm, loving girl: at the beginning of the book, she loves her father, Daniel LeBlanc, before anyone else. After 1941, when Daniel leads her to the seaside town of Saint-Malo, she becomes close with her great-uncle, Etienne LeBlanc, and her cook, Madame Manec. Marie-Laure is capable of feats of great daring. With Daniel’s help, she trains herself to walk through large cities using only her cane, and when the conflict between France and Germany escalates, she volunteers to participate in the French resistance. In spite of the joy she gets from reading and exploring, Marie-Laure’s life is full of tragedy: the people she loves most disappear from her life, beginning with her father. As she grows older and becomes a scientist of mollusks, Marie-Laure comes to appreciate the paradox of her life: while she sometimes wants to be as stoic and “closed up” as the clams and whelks she studies, she secretly desires to reconnect with her loved ones.