You can be buzzfeed pretty much any.
Oo-Oo, dam diggity-dog
Let them buns stay mad 'cause we livin' it up
Oo-Oo, Shelltops is on
And I'm popping like, I'm popping like, I'm popping some corn
And now, I don't wanna take you
If we fall down, don't get upset
And now is just the beginning
And we'll figure it out somehow
Right now, masquerade
Master the merry-go-round
Right now, masquerade
Master the merry-go-round
Right now
It's something you create
It's never ever too late
It's never ever too late
Right now
Okay to make a mistake
Yeah, baby, this is your day
It's time to masquerade.....
1. A |V_| cadence is called<span>
<span>a. Authentic b. Half c. Plagal d.
Deceptive</span></span>
<span>The IV-I cadence is called a PLAGAL cadence. Although it is an effective
cadence, it isn’t as strong or complete as the perfect V-I, thus is may be
found in the middle of the composition, leaving the stronger cadence for the grand
finale. </span>
<span>
</span>
<span>2. The smallest unit of musical form that makes
sense on its own is a
a. Period b. Phrase c. Cadence d. Measure </span>
<span>The correct answer
is B. Phrase.
A Phrase is built from figures, motifs, and cells, and combining to form
melodies, periods and larger sections.
This title has been given by John D. White, but the idea has existed for
centuries, although the musical metric system used to be very different way
back in the days, in ancient times. </span>
<span>
</span>
<span>3. Two ____ put together as antecedent and consequent
are known as a _____.
a. Periods; Phrase b. Cadence; Phrase c. Phrases; Cadence d. Phrases; Period\</span>
<span>The correct answer
is D. Phrases; Period.
In fact, a Period if created by the combination of two Phrases, each of which beginning
with the same basic motif – as defined by the Oxford Companion to Music. The
origins of the concept of musical Periods can be found back in the 16th
Century.</span>
<span>
</span>
<span>4. Which of these cadence types is most likely
to occur at the end of a consequent phrase?
a. Authentic b. Half c. Plagal d. Deceptive</span>
<span>
The Authentic Cadence is the best one to end a consequent phrase. V (dominant) is
also the most common chord progression for a strong ending; it builds up tension,
which is then relieved when you move on to the I (tonic) chord. (This
progression is called V-I).</span>
Answer:
is it like a book i can read to answer this
Explanation: ??????
Answer:
C
Explanation:
Because the attacker did not like abstract!
