the character of angle is d-nice 90 dergree
Explanation:
Leonardo da vinci is the artist
Answer:
Many stories say that Warhol's choice to paint soup cans reflected on his own devotion to Campbell's soup as a customer. Robert Indiana once said, “I knew Andy very well. The reason he painted soup cans is that he liked soup.” Warhol was thought to have focused on them because they composed a daily dietary staple.
Though Donatello was a descendant of a branch of the important Bardi family, he was brought up in a more plebeian tradition than his older contemporary Lorenzo Ghiberti. Gifted with humanistic insight and a quality of will that were highly prized in the early Renaissance, Donatello revealed the inner life of his heroic subjects, memorable images which have conditioned our very conception of 15th-century Florence. Sharing neither Ghiberti's feeling for line nor Filippo Brunelleschi's interest in proportion, Donatello worked creatively with bronze, stone, and wood, impatient with surface refinements and anxious to explore the optical qualities he observed in the world about him. His later art, saturated with the spirit of Roman antiquity, is frequently disturbing in its immediacy as it attains a level of dramatic force hitherto unknown in Italian sculpture.
Answer:
c) Propaganda
Explanation:
The Denarius of Julius Caesar was the currency (coin) that was introduced in 44 B.C. It was the first time that the portrait of a living person was used on coins. The Denarius had the portrait of Caesar in front (the observe) and the picture of Venus at the back (the reverse) - this was to ascert Caesar's divine ancestry. The Denarius of Julius Caesar was a widespread way of projecting the power, achievements and consequently, the propaganda of the Roman empire to both the literate and non-literate populace (everyone knows the name "Caesar").
Augustus of Primaporta is a work of art; it is a full length statue of Augustus Caesar (the first Emperor of Rome) towering at 2.08 m and weighing 1000 kg. It employed the use of many distinctive art features to project the power and propaganda of the Roman empire.
Emperor Justinian and His Attendants is a Byzantine styled colorful and detailed apse Mosaic painted in 547 A.D. The Mosaic depicted the Emperor Justinian standing at the center in front of both clergy and military men. The message the Mosaic protrudes is that the Emperor is the one ordained to rule and that he has the power to. It projects the power and authority of the Emperor Justinian.
Hence, the common feature of these trio is option C - propaganda (spreading of information to help a cause or institution).
