IM A SKINNY BETCH BUT I STILL GET SAUSAGE lmfoaaa
To compare and contrast the reactions of the several characters in <em>"Roll of Thunder, Hear My Cry" by Mildred D. Taylor,</em> we have chosen Cassie Logan and Mama (Mary Logan).
- These two characters stand for principles in the book, especially the principles that condemn racism in America. They are both females. Mary is the mother of Cassie. One can expect to see how much they are alike. But they are different in their reactions to intimidation and harassment are not similar.
- Mary is quite educated and a schoolteacher. She is experienced and understanding. But Mama does not condone slavery and the evil effects of racism on blacks. Based on this, she teaches topics not covered in the syllabus. Finally, Mr Granger fires her to teach her a lesson. She decides to continue her social leadership role in the community.
- Cassie is still undergoing her education. She is naive but intelligent. She shows her braveness by fully expressing her anger and shouting down white supremacists on every occasion.
- Their different reactions to intimidation or harassment are captured by how Mary Logan subtly uses her teaching and leadership skills to undo the evils of enshrined slave mentality in her students and comrades. On the other hand, Cassie prefers confrontation with those who intimidate her and those close to her.
Thus, mother and daughter are two characters who react differently to the problems faced by blacks in the community.
Read more about Mildred D. Taylor's "Roll of Thunder, Hear My Cry" at brainly.com/question/22163339
How can Alfred get in the ring with the contender.
My best guess would be (3) <span>It is upsetting to think that society punished these people who are now considered heroes.</span>
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places:
