Answer:
Death and the King's Horseman isn't just about a clash of cultures—it's also about a clash of religions. Yoruba spirituality and Elesin's attempts to confront mortality and the afterlife are very much at the heart of the story, and Soyinka himself sees the spiritual dilemmas that the play presents as the key thing going on. The play definitely prompts us to think about different religions and customs and how they intersect and clash, dropping references to Islam and Christianity as well as lots of discussion of Yorubam religious practices.
Explanation:
By showing the richness of Yoruba traditions while simultaneously failing to show the British characters actively engaged in any kind of religion, Soyinka suggests the emptiness of British customs and religion.
True
Harlem is a poem written by Langston Hughes. It does not
have a set of meter or rhyme scheme. It does not have a set rhythm as it is
written in many lines of varying lengths. Therefore, this poem is considered as
free verse, which means that it does not have recognizable pattern. The poem
does not follow the norms or the rules for rhyming or rhythmic patterns. It is “free”
from consistent meter patterns, rhyme, or any other musical pattern.
me who else is ready cuz i am:
<span>Athena, also know as the goddess of war I think </span>
The answer is D. He has been reminded of the place by the harsh realities of the city<em>. </em>In his poem, Wordsworth describes how when the city seems to be too much for him, he is often transported back to this spot and experiences "sensations sweet". In his absence from the ruins of Tintern Abbey, he has only good memories of this place that ease his weariness from the city.
