Answer:
Victor Frankl.
Explanation:
Victor Frankl was an Austrian neurologist, psychiatrist and also a Holocaust survivor. This Jewish psychotherapist said this quote-
<em>"For too long we have been dreaming a dream from which we are now waking up: the dream that if we just improve the socioeconomic situation of people, everything will be okay, people will become happy. The truth is that as the struggle for survival has subsided, the question has emerged: survival for what? Ever more people today have the means to live, but no meaning to live for."</em>
This quote shows him questioning the meaning of one's life, why were are living and for what? He proposes that if atheism was true, then why are we living in this world? without a God, there is no real meaning in a man's life. But if the existence of God is real, then the whole meaning of living changes. Now, we are living for the God who created us "in his own image".
Answer:
Chapter 1: The Runaway
The Lost Boy begins in the winter of 1970, in Daly City, California. Dave Pelzer is nine years old and suffering from his mother’s abuse. He is hungry and cold as he sits at the bottom of the stairs in the garage. He feels like he is a prisoner of his mother, and the abuse has been going on for some time. He never gets enough food to eat and has to steal food at school. When he returns home his mother forces him to vomit in the toilet bowl to prove he did not steal any food. He is routinely beaten. He always sleeps on a cot in the garage. At weekends he gets no food at all. He is an outcast in his family, with his mother targeting him for abuse but not his brothers. He feels he does not deserve any long and thinks of himself as “a child called ‘It’.” At four o’clock in the afternoon, Dave listens to his drunken parents arguing about him upstairs. His father thinks Dave’s mother is too harsh on him, that no child deserves to be treated like that. He often tries to stand up to his wife but she takes no notice of him. She will not allow anyone else to tell her what to do.
She tells Dave to come upstairs. She makes him stand in front of her and tells him not to speak or move. He is familiar with this “game.” She grabs his ear, and then slaps his face because he moved. With his father standing by but not interfering, she asks Dave whether he agrees with his father that she treats Dave badly. He does not know whether he is allowed to respond. His father says that is no way to treat him, but his mother will not let go of his ear. She refers to Dave as “It” and tells him to get out of the house. His parents start to argue, with his father trying to defend him and tell his wife that she is wrong. She opens the front door and tells Dave he can leave if he thinks she treats him badly. He sees this as a chance to escape and he steps out of the door. His mother sneers that he will be back.
Explanation:
Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
Answer:
It is a land of unparalleled charm and beauty, which it's trackless desert of sun dunes in a dazzling rays of a tropical sun
