The Polish director Jerzy Grotowski, who performed his work in collaboration with the Polish Laboratory Theatre, had a significant impact on American director Richard Schechner.
<h3>Jerzy Grotowski: who was he?</h3>
The avant-garde acting training, staging, and performance techniques developed by Polish theatrical director and theorist Jerzy Marian Grotowski have had a significant influence on theater today. The key influences were Meyerhold, Stanislavsky, and Brecht. With the help of "paratheatre," Grotowski tested out performers in training programs and other unstaged productions. Grotowski felt the alleged "physiological resonators." He told the actors to use their necks, backs, and arms to project their voices. Then, to raise their voices, he told everyone to choose a text and play, sing, and shout it (Richards, 1995). Jerzy Grotowski, a Polish director, defines "poor theater" as the kind of performance that emphasizes the actor's body and their interaction with the audience while eschewing costumes, props, and music. Extracts from a performance of the play Evangile are interspersed throughout the interview.
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C. Suffering. Siddhartha was a prince who spend all of his young years behind confined walls in a lavish estate. His father did this to prevent him from seeing the suffering that was common among the regular people. When Siddhartha climbed the wall in secret, he was astonished by the poverty, hunger, and disease among the commoners. This inspired him to seek inner understanding about ending suffering and started his path of becoming Buddha.
