In "A Visit of Charity," Marian visits the nursing home to earn points from the Campfire Girls. Option B is correct.
A Visit of Charity is a classic American short story written by Eudora Welty.
It focuses on a fourteen-year-old Campfire Girl called Marian, who has to perform community service in order to earn points towards her badges. She aims to pay a short visit to a local nursing home; and she seeks to leave quickly.
A prerequisite is something that is necessary before doing something. So the prerequisite for developing interview questions is to D. gain a basic understanding of the topic.
Answer:
Simon discovers that the so called beast of the island, in really nothing more than the body of a dead airman. He realizes that he has to go and tell the other boys that there is no beast.
<u><em>hope this helps >3</em></u>
Explanation:
This story is not a usual one. It talks about how our views and ideas can be judgmental and hurtful. It puts us (readers) in a point where we start thinking about our own perspectives.
Explanation:
This story has two main components as symbols - belief and honesty. The author wants to describe the entire scene in darkness. He excludes elements that give us 'hope' in our lives.
The woman who the narrator loved deceived him. She portrayed to be a faithful, honest and innocent woman who loved him deeply. This was an impression that everyone had about her including the narrator.
The story starts off with an exclamation of grief, where he yells 'I had loved her madly!'. From this part of the story, he continues to talk and express his love/emotion towards his lover. He continues to suffer in her loss, goes to places where he can relive moments, visits her grave and sits there for hours. He reads the messages on the tombstones where the story ends.
The entire course of story makes us understand that he understand how she deceived him from the beginning till the end.
Shakespeare's scenes are not meant to sound like real dialogue.
Explanation:
<u>Theater in the time of Shakespeare was yet to focus on the realistic aspect of dialogue</u>. It was often lyrical, musical and indirect.
<u>Shakespeare himself used verse extensively in his plays resorting to prose very sparingl</u>y in the tragedies and a little more in the comedies and the problem plays.
<u>The dialogue is not supposed to be realistic in content but in theme as it is what someone might say in a situation</u>, but it is highly ornamented and loaded in Shakespearean double entendres and purposes.
