Answer:
Leyster used tenebrism for added drama.
Picasso showed a single figure from multiple views for added drama.
Explanation:
- Cubism is preoccupied with the problem of the "object" that needs to be reconstructed, as opposed to the vagueness and impermanence of the Impressionist surface.
- Everything that relies on subjectivity or a particular and firm view must be eliminated in order to arrive at an overall, conceptual, complete variant of form ("If the senses deform, only the spirit forms").
- Picasso's statement: "I paint objects as I imagine them, not how I see them," supports this thesis. In Cubism, the influence of African art is also present, and the basis is the cube. The Cubists in the picture show simultaneously (at the same time) what we can really only see in succession (in the sequence of time, consecutively).
- Dutch Golden Age painter Judith Leyster often depicts middle-class Dutch people in work and in leisure in her paintings.
<span> I believe the correct answer is Gustav Klimt.</span>
Gustav Klimt, an Austrian painter, made a
symbolist version of Judith with Holofernes' head. The oil painting “Judith and
the Head of Holofernes” (also known as Judith I) created in 1901 is a symbolist
version of the biblical character of Judith holding the severed head of
Holofernes.
Answer:
Greenware has been once fired
Explanation:
Blue is right and like right is blue
I would put all things that disturb the perfection of the lighting in the studio, and outside I would go to where the lighting isn’t too bright and somewhere we’re it’s not too dark and you are able to see every perfection and detail in the each scene.
