I think the answer would be that it provides a framework for the plot
Answer:
If the question is referring to Rothman's article "The Serious Superficiality of the Great Gatsby", I believe the correct answer is C. The novel is about refusing to see reality no matter the cost.
Explanation:
<u>According to Rothman, the novel's (and the eponymous film's) appeal stems from its flatness, seductiveness, and rejection of reality.</u> Even though the characters are nominally seeking love and meaning, they are "desperate to give in to nearly anything—a drink, a person, a story, a feeling, a song, a crowd, an idea".
Rothman goes on to say: <u>"'Gatsby' captures, with great vividness, the push and pull of illusion and self-delusion; the danger and thrill of forgetting, lying, and fantasizing; the hazards and the indispensability of dreaming and idealization."</u> The underlying reality of the novel and the so-called "roaring twenties" that serve as its backdrop is grim. It's a world of deep class struggles, poverty, social climbers such as Gatsby who earned millions illegally. However, the characters in "Gatsby" are eager to sweep these unpleasant issues under the rug and cover them with parties, riches, gossip, and other superficial ways to kill time.
Answer:
I believe it is C: Signal phrases should provide just enough information to show the reader that the source is a valid one that can be trusted.
Explanation:
Three years have been passed since Victor made the creature to the time described in this chapter.
<u>Explanation:</u>
Frankenstein recounts to the account of talented researcher Victor Frankenstein who prevails with regards to offering life to his very own being creation. In any case, this isn't the ideal example he envisions that it will be, yet rather a repulsive animal who is dismissed by Victor and humankind as a rule.
Victor von Frankenstein, a promising youthful specialist who, crushed by the passing of his mom during labor, gets fixated on breathing life into the dead back. His analyses lead to the production of a beast, which Frankenstein has assembled with the remaining parts of carcasses.
