<h2><u>Answer:</u></h2>
In her introduction to Frankenstein Mary Shelley concedes that her primary objective was essentially to compose a phantom story. She got the thought for what she later called her "repulsive descendants" amid the incredible summer of 1816, which she spent at Lake Geneva in Switzerland together with Percy Shelley, Lord Byron and Dr. John Polidori.
Mary Shelley made the story on a stormy evening in 1816 in Geneva, where she was remaining with her significant other, the artist Percy Bysshe Shelley, and their companion Lord Byron. Byron proposed they each compose a gothic apparition story, however just Mary Shelley finished hers.
Answer:
Enjambment can be defined as a continuation which maintain a rhythm of the sentence in the poem across a line break perpetual of end stopping. It helps the reader to move from one line to another without breaking the reader's interest.
And the third rule of imagism by Ezra pound was "as regarding rhythm: to compose in the sequence of the musical phrase, not it sequences of metronome"
Explanation:
Ezra Pound prefers the musical phrase on musical metronome because according to him it's better to write poetry like group phrase in which words and lines are interconnected with each other subject did not change but the words of expression. On the other hand metronome creates the expected and regular pattern of sound which means you can't skip the beat.
And same is the case of enjambment in the poem it acts like the musical phrase with some curiosity, change of words but the subject remains the same.
Answer:
Help the reader get to know the character (emotions and actions). It is also used to show the reality of a conversation between characters.
Explanation:
Neither do I. Can you provide more info?
Divide with a dot or space