The Enlightenment period resulted in the creation of many different ideas seen in politics all across the world. A perfect example would be the concept of natural rights. Natural rights are supposed to be basic rights that all humans have. When first developed these included life, liberty, and property. This concept was seen in the French Revolution, as the Third Estate fought for the idea and used the phrase "Liberty, equality, and fraternity" to display what natural rights they had as citizens.
Another Enlightenment idea seen in democratic revolutions is the idea of the social contract. The social contract was an agreement between the people and the government that stated that citizens would give up some of their freedoms so that the government could make laws. If a government failed to own up to their end of the social contract, the citizens had a right to revolt. This is a perfect example of what happened during the American Revolution. American colonists felt that the British government was being unjust and was not ruling by the consent of the governed (aka the consent of the people) so they rebelled.
It was the "Triangle Shirtwaist Factory" where fire broke out in 1911 leading to the passage of stricter building codes and factory-inspection laws to <span>protect workers, since prior to this there were little-if-any public workplace safety regulations in the US. </span>
Ektara (Hindi: एकतारा, Bengali: একতারা, Nepali: एकतारे, Punjabi: ਇਕ ਤਾਰਾ, Tamil: எக்டரா; literally 'one-string', also called actara, iktar, ektar, yaktaro, gopichand, gopichant, golki Nepali: गोल्, gopijiantra, tun tuna) is a one-stringed musical instrument used in the traditional music of South Asia,[1] and used in modern-day music of Bangladesh, India, and Pakistan.[1] It originated in South Asia.[1]
In origin the ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger. The ektara is a drone lute consisting of a gourd resonator covered with skin, through which a bamboo neck is inserted. It is used in parts of India and Nepal today by Yogis and wandering holy men to accompany their singing and prayers. In Nepal, the instrument accompanies the singing of the Ramayana and Mahabharata.[2]
It has two forms. One form resembles a lute. To make that version, a bamboo stick (90cm long) is inserted through side of wooden bowl (called a "tumbo") and the top of the bowl is covered with deerskin. The instrument has a single string running from a peg at the top, down the length of the stick-neck, across a bridge on the deerhide soundboard, and is tied at the "spike" where the stick pokes through the bowl. The instrument's string is plucked with the musicians index fingernail.[3][2]
The other version uses a drum-like body, and a skin soundboard with a string attached (to bend the sound of the soundboard). Two bamboo lathes are attached to the side of the drumhead and the string goes from the soundboard to where the lathes meet. This version of the instrument may be played either by plucking the string or by tapping the drumhead. Squeezing and releasing the bamboo lathes puts pressure on the drumhead and bends the pitch up and down. This form is associated with the Bauls of West Bengal, as well as the Tharu people of Udayapur District, Nepal.
they were devastated by european diseases.
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