D. He looked to the Classical past for truth
While Rousseau did study the past in his pursuit of truth, he looked at man in his natural state (i.e pre-civilization). Rousseau's Discourse on Inequality is his foray into the evolution of man from his natural state into what the man of Rousseau's time. Rousseau described uncivilized man as a "noble savage". Critics argue that Rousseau was idealizing man in an uncivilized state and advocating for a return to this. What he likely meant was that man is naturally moral (driven by the well- balanced instincts of piety and survival) and that it is society that corrupts man. Classical philosophy and art is part of the society that Rousseau criticizes. In his Discourse on the Arts and Sciences he provides the link between the fall of the Roman empire and the peak of the Roman arts as an example of the detrimental effect arts (and that which was celebrated during the classical Greek and Roman periods as the best kind of human activity) has on man's natural sense of decency and morality.
Answer:
Yes
Explanation:
People may be connected via email, mobile phones, text messages etc.
The correct answer is; Poussin arranged natural elements to construct idealized paintings.
Further Explanation:
Nicolas Poussin painted numerous masterpieces during his lifetime. He was known for having and arranging the natural elements into his portraits and constructed these idealized paintings. All of his paintings told a story and was a self taught artist. He did not have any formal education in arts, religion, or any literature.
Here is a list comprised of his most famous paintings;
- Massacre of the Innocents
- The Seven Sacraments - Ordination
- The Empire of Flora
- Apollo and Daphne
- A Dance to the Music of Time
- Landscape with the Ashes of Phocion
Learn more about Nicolas Poussin at brainly.com/question/10983777
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Answer:
Family resemblance (German: Familienähnlichkeit) is a philosophical idea made popular by Ludwig Wittgenstein, with the best known exposition given in his posthumously published book Philosophical Investigations (1953).[1] It argues that things which could be thought to be connected by one essential common feature may in fact be connected by a series of overlapping similarities, where no one feature is common to all of the things. Games, which Wittgenstein used as an example to explain the notion, have become the paradigmatic example of a group that is related by family resemblances. It has been suggested that Wittgenstein picked up the idea and the term from Nietzsche, who had been using it, as did many nineteenth century philologists, when discoursing about language families.[2]
Explanation:
