Answer:
Death and the King's Horseman isn't just about a clash of cultures—it's also about a clash of religions. Yoruba spirituality and Elesin's attempts to confront mortality and the afterlife are very much at the heart of the story, and Soyinka himself sees the spiritual dilemmas that the play presents as the key thing going on. The play definitely prompts us to think about different religions and customs and how they intersect and clash, dropping references to Islam and Christianity as well as lots of discussion of Yorubam religious practices.
Explanation:
By showing the richness of Yoruba traditions while simultaneously failing to show the British characters actively engaged in any kind of religion, Soyinka suggests the emptiness of British customs and religion.
Without the further context of the article you're on, I would say the answer is most likely C.
Dying is far more opposed than negative ideations.
Hope this helped.
<span>The Wife of Bath's tale was written to show the emerging role of women in the Middle Ages. They were moving from being submissive, almost property, to sovereign women with strong opinions and independence. These characteristics were, at the time, only appreciated in men and were frowned on in women. This tale shows that a woman can be a woman and still be independent, strong, and sovereign.</span>
Stefano is the protagonist
