Answer:
<u>Painting "The Last Supper"</u>
- It is a mural painting made between 1495 and 1498 by Leonardo da Vinci (1452-1519) did not charge for this painting. It was commissioned by Ludovico Sforza for the Convent of Santa Maria delle Grazie in Milan, Italy.
- The artist uses the vanishing perspective or linear perspective, which is a characteristic of Renaissance art. The main focus of his perspective is the character of Jesus, who is the center of reference for artistic composition.
- Leonardo Davinci combines the use of vanishing perspective with the classical architectural representation, creating the illusion that the space in the convent where the painting was located seemed wider.
- Another characteristic element of the Renaissance was the use of a window system to introduce natural light sources and spatial depth into the paintings. In “The Last Supper”, the lighting comes from the three windows in the background.
<u>Painting "The Ambassadors"
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- The painting is actually called “Jean de Dinteville and Georges de Selve”. It was created by Hans Holbein the Younger in 1533.
- In this work, two characters look directly at the viewer, a very new effect for the time.
- In the lower part there is an element that gives a complex character to the painting: it looks like a deformed human skull. Technically it is an anamorphosis, that is, an intentional deformation of an image that can only be corrected by an optical effect such as a curved mirror. This innovative technique forces the viewer to be in a specific perspective to be able to see the image correctly.
World War I was called the Great War. People thought that it would be the war to end all wars.
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The answer is C because Brahman or the Supreme Self is beyond time and space, causation. He is limitless. He is tranquil. He shines with equal effulgence in all bodies. He cannot be any particular thing. He is chaitanya or pure consciousness. He is the jewel of jewels. He is the imperishable, inexhaustible supreme wealth, which no dacoit can rob.
A supreme principle exists. It is Atman. It is Para Brahman. It is imperishable, unborn, undecaying and undying. It is ancient. It is one. It is a mass of wisdom and bliss
Adams' paintings have become an essential a part of the American conservation movement, imparting a consistent reminder of the landscapes that want to be protected.
The required details for Ansel Easton Adams in given paragraph
Ansel Easton Adams (February 20, 1902 – April 22, 1984) become an American panorama photographer and environmentalist acknowledged for his black-and-white pictures of the American West. He helped found Group f/64, an affiliation of photographers advocating "pure" images which favored sharp focus and the usage of the full tonal variety of a photograph. He and Fred Archer advanced an exacting device of image-making referred to as the Zone System, a way of accomplishing a preferred very last print thru a deeply technical information of ways tonal variety is recorded and advanced in the course of exposure, negative development, and printing. The ensuing readability and intensity of such pictures characterized his images.
Adams become a life-lengthy recommend for environmental conservation, and his photographic exercise become deeply entwined with this advocacy. At age 12, he become given his first digital digicam in the course of his first go to to Yosemite National Park. He advanced his early photographic paintings as a member of the Sierra Club.
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