Answer:
Boundaryless organization
Explanation:
A Boundaryless is one which is aimed at enhancing flexibility such that all stakeholders have reasonable amount of freedom to work together for the good of the organization. The removal of all forms of barriers including those between employees and consumers which could at times reduce flexibility and effectiveness are eliminated, hence allowing managers and employees who are close to the problem at hand and have better knowledge of the sutuation make calls thereby saving time and input. Boundaryless organizations show great level adaption to cahages in environmental and technological practices which has accelerated business in the 21st century.
They were both in the same region
Rondo form is simply known as a principal theme which is commonly referred to as the "refrain". The form that is most closely approximated in revueltas’s ""noche de jaranas is called Rondo Form
- Rondo form that is the refrain often alternates with one or more contrasting themes called episodes.
The common examples of a Rondo is “Fur Elise” by Beethoven,
La noche de los mayas is simply known as a film score by the Mexican composer Silvestre Revueltas.
Revueltas's score is made up of 36 sequences and does not have any organic relation to one another,
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I believe the answer is: Wisdom
Wisdom influences our ability to use the knowledge that we have in order to make a good judgment.
As we got older, our brain's function will deteriorate. But, older people tend to accumulate more experience compared to the younger ones. Those experiences will provide older people with knowledge that might not be known by younger people. They could use it as a core strength to make better judgments than younger people.
Any consideration of the human body carries with it the implication of the divide, real or perceived, between sacred and secular art.
The meanings and functions of the numerous points at which art and religion converge are investigated in studies of visual representations of the human body. Any consideration of the human body carries with it the implication of the divide, real or perceived, between sacred and secular art. The artistic and religious aspects of the human form reveal societal norms and ideals regarding gender, figurative art, and the interaction between the human and divine. The fundamental question is whether religious art must depict human figures.
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