The correct answer is “The authors include details about the changes in diets over time to inform readers about how sugar has transformed what we eat.” Although there is a hidden subtext that indicates that modern diets are indeed unhealthy because of the excessive intake of sugar, the author’s main concern is to illustrate above all the economic importance of sugar and how it affects other unrelated issues. It also provides hints as to what such importance means for nutrition, social justice and economic justice. The author does that by enumerating the historical facts about the indirect and direct effects of sugar on the lives of people (poor factory workers, slaves), the effect on the economy (the wealth they gained, the trade connections they made, and the banking systems they developed in the slave and sugar trade), the effect on culinary practices (jams, cakes, syrups, and tea) and finally its effects on human health (Americans eat an average of 140 pounds every year).
Answer:
don't know about that but okay
Since we cannot see at night, I guess the electric light bulb is a pretty good technological advance.
<span>Same with a car. Since we can only walk at 3 mph, with a car we can overcome this defect and travel a mile a minute with a car. That is a pretty good technological advance. And a telephone. now we can talk to people thousands of miles away, whereas before we could only talk with in a hundred feet or less. </span>
<span>Actually, the many technological advances we have made are moving toward a modern Garden of Eden. On Earth as it is in Heaven. If we can just get rid of Oblamma.</span>
Answer: to describe the disposition of the person the statue portrays
Explanation:
These are lines from the poem, ''Ozymandias'' by Percy Bysshe Shelley which speaks of a statue of Ozymandias that has now fallen with the two legs being the only remaining standing feature and the head next to them, half buried in sand.
The lines above relate to the features and expression on the face of the statue and serve to describe the disposition of Ozymandias who, judging by the statue, have a commanding expression about him.
