<em><u>Question</u></em>
<em><u>cave </u></em><em><u>paintings</u></em><em><u> </u></em><em><u>are</u></em><em><u> also</u></em><em><u> known</u></em><em><u> as</u></em><em><u> parietal</u></em><em><u> art</u></em>
<em><u>True</u></em><em><u> </u></em><em><u>or </u></em><em><u>False</u></em><em><u>?</u></em>
<em><u>Answer </u></em>
<em><u>TRUE</u></em>
<em><u>Explanation</u></em>
<em><u>Cave paintings (also known as "parietal art") are painted drawings on cave walls or ceilings, mainly of prehistoric origin, dated to some 40,000 years ago (around 38,000 BCE) in Eurasia. ... The paintings are remarkably similar around the world, with animals being common subjects that give the most impressive images.</u></em>
<em><u>H</u></em><em><u>EY!</u></em><em><u>!</u></em><em><u>^</u></em><em><u>^</u></em>
<em><u>have </u></em><em><u>a </u></em><em><u>good </u></em><em><u>day </u></em><em><u>^</u></em><em><u>^</u></em>
<em><u>thank </u></em><em><u>me </u></em><em><u>later </u></em><em><u>^</u></em><em><u>^</u></em>
<em><u>carryonlearing </u></em>
Answer:
Finally, that playing seriously with clay can be used in an investigative ... This view of agency is succinctly summarised by Barandiaran et al. ... irrespective of the nature of the agent, action is divided into cause and effect. ... The work of sculpting proceeds with a “feeling of and for clay”
Explanation:
Se llama "estrofa-coro" mode
Answer:hehe it looks a littel off but 2+10=12
Explanation:
