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VLD [36.1K]
2 years ago
9

Describe what questions you should ask yourself during the prewriting process in order to learn about the audience for which you

are writing. Explain how these questions help you adjust and adapt your writing to match your audience.
English
2 answers:
Ghella [55]2 years ago
6 0

Answer:

does this relate to my audience?

Explanation:

know which audience you are targeting, then think about them as who they are, like if they are kids  you might wanna add things kids like or if it was for teens, add things they can relate to.        ( change it to where its like ur saying this)

erica [24]2 years ago
3 0

Does this relate to my audience?

Explanation: Know which audience you are targeting, then think about them as who they are, like if they are kids you might wanna add things kids like or if it was for teens, add things they can relate to or if there adults add things they might be interested in as well as the others.

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Answer:

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The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.

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