Answer:
In the fall the war was always there, but we did not go to it any more. It was cold in the fall in Milan and the dark came very early. Then the electric lights came on, and it was pleasant along the streets looking in the windows. <u>There was much game hanging outside the shops, and the snow powdered in the fur of the foxes and the wind blew their tails. </u>The deer hung stiff and heavy and empty, and small birds blew in the wind and the wind turned their feathers. It was a cold fall and the wind came down from the mountains.
Explanation:
I got 100% on my test; Edmentum/ Plato
Answer:
The conversation between the children and the mathematical master means that children's dreams cannot be hindered by adults, even if they are frowned upon.
Explanation:
In this conversation, the children claim that they saw the happy prince who never thinks about crying for any reason. The mathematical master is intrigued and asks how the children saw this prince and they answer that they saw him in their dreams. The mathematical master disapproves of this, because he does not admit that children dream, but it is inevitable, because their dreams are unstoppable even if they are disapproved.
Answer:
The first answer is an "adjective", the second answer is "software", and the last one is "safe from attack"
Explanation:
The painting gives us a concrete, visual image of the horrible conditions in which Polyneices’s corpse was left to rot. It also shows us the conditions in which Antigone stepped out of her home to give her brother an honorable burial and is testament to her courage and her determination to do the right thing. Greek women lived very sheltered lives, and for a Greek woman to step out of her house all by herself in what appears to be the dead of the night was quite noteworthy.
The play provides a context for the painting. It fills in background details and tells us why Antigone has to take such extreme measures to bury Polyneices. It gives us the reason for Polyneices’s death and also tells us why he was denied a rightful burial.
This scene is pivotal to the play because it sets in motion a series of fatal developments. The main conflict of the play is Antigone’s defiance of the king’s orders to bury her brother. In the painting, we see Antigone coming upon the corpse of her brother, with the likely intention of burying him. This act of hers seals her fate and condemns her to death, as required by Creon’s order.
