Answer:
Your answer is: "These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned."
Explanation:
I think that it's because some words in poetry are powerful and pernoused loudly
Answer:
The central idea of the text by James Kuzner is that the very idea of "love at first sight" is possible, depending on the persons involved. Though most people may find it impossible or even improbable for love to happen in such short notice, Kuzner seems to imply that it is indeed possible.
Explanation:
James Kuzner's informational text <em>Should We Scoff at the Idea of Love at First Sight?</em> details the two contrasting yet dominating ideas of <em>"love at first sight"</em>. In his essay, he presents an argument of how both sides of the argument can be approached, but at the same time, provide a compelling approach to the idea.
The whole paper details how most people seem to denounce the theory of falling in love at first sight, or even having a connection in a short time. But while this idea may also seem impossible or even illogical, Shakespeare is proof that some people do have the connection even in such a short time of their meeting. So, while most people may not believe in the possibility of love, Shakespeare's "Romeo and Ju l iet" is proof that it is indeed possible. It all depends on the persons involved, even though there may be times when there's a conflict between love and infatuation, or even lust. Whether it be scientific experiments or surveys, there is a slight possibility that it is indeed possible for such occurrence.
Answer:
In the story "The Elevator" I believe that "the fat lady" that kept appearing in the elevator was real. According to the text, when the fat lady first appeared, Martin could very well describe her, "She wore a threadbare green coat that ballooned around her; her ankles bulged above dirty sneakers... Her features seemed very small, squashed together by the loose fleshy mounds of her cheeks. She had no chin, only a great swollen mass of neck, barely contained by the collar of her coat. Her sparse red hair was pinned in the back by a plastic barrette. And her blue eyes, though tiny, were sharp and penetrating, boring into Martin's fаce." Second, in the story, Martin could surely feel her presence and describe her. Martin could feel her in the elevator when he had to squeeze himself against a corner to make room for her. "She was so big that she filled the cubicle; her coat brushed against him, and he had to squeeze into the corner to make room for her-there certainly wouldn't have been room for another passenger." When he got off the elevator, "He didn't care what she thought. He ran past her, outside into the fresh air, and then he ran almost all the way to school. He had never felt such relief in his life." On the second time she got on the elevator, the events that occurred could prove she was real -"But there she was, massively real. "Going up!" he said, his voice a humiliating squeak She nodded, her flesh quivering, and stepped on. The door slammed. He watched her pudgy hand move toward the buttons." When she suggested going to level 18, she might have done this unpurpose to find out where Martin lived, and, when Martin said "Going up!", the story describes her response as a nod.
In conclusion, The Fat Lady conclusively is real, because Martins senses about her are notably real.
Note:
I almost felt inclined to say she is Imaginary, but I couldn't find any evidence. I hope this helps!
<em>-kiniwih426</em>
