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Girolamo Savonarola, (1452- 1498), was an Italian preacher and theologian, who sought to reform the church and society in Florence and Italy. He became renowned throughout Italy after his attacks on the immoral and the corrupt clergy and his criticism of the ruling elite in Florence. After the overthrow of the Medici in 1494, Savonarola was the most influential figure in Florence, even though he never held office. His power was short-lived, and he ended his days on the gallows. However, he was a very important figure and was an immensely influential figure in Renaissance Italy and indeed Europe. This article will show that Savonarola was a key figure in the development of both the Reformation and the Counter-Reformation. Uniquely, he was to inspire figures such as Martin Luther and other leaders of the Reformation and also leading figures in the Catholic Church.
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Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
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Southerners were afraid that if they admitted California as a free state, when it came to vote on things like the Wilmot proviso, free states would have majority rule.
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It proves the solution in a real world setting that can be replicated and confirmed by others
The Neolithic Revolution started the domestication of animals.
