I haven't read the writing or speech, "ain't I a woman" but from background knowledge, I know that rhetoric and rhetorical devices are used to persuade the audience of something.
As I don't know what the speech is about, I couldn't tell you what makes it effective but your answer is going to most likely be a type of rhetorical device.
Ask yourself...
What does the speech use more of?
- Alliteration
- Hyperbole
- Metaphors
- Similes
Those are some examples of rhetorical devices. I know I haven't read the speech but I hope I was at least some help :) Let me know if you have anymore questions.
Answer:
"Lord have mercy, ain't this the living gall!"
“You got any more to say 'bout how people ought to sit down and talk to each other?”
“Get out of my house, man.”
Explanation:
According to the context of your question, we can see that you are referring to "Raisin in the Sun" a story that presents the life of a black family that after earning a large sum of money and moves to an upscale neighborhood, populated by white citizens. This story deals with themes such as class ascension, discrimination, racism, sexism, dreams, among others.
The sentences presented above are presented at times when characters need to turn against racism and face it in order to get rid of it. This is because this family is a victim of constant racism, but they only manage to protect themselves when they fight against this racism, facing it and fighting it.
You are correct.
The sentence "I had goosebumps and the hairs on my arms were standing straight up" gives the greatest amount of description and the details included appeal to the senses.
Taking into account just this excerpt, It might be said that the most accurate summary would be <span>Douglass bravely ran a newspaper that supported his causes (option C). The newspaper was a mean to communicate his ideas and stand for what he believed was right. Not only he talked about slavery but also women´s right. </span><span />
Hokku<span> is the opening stanza of an orthodox collaborative linked poem, or </span>renga<span>, and of its later derivative, </span>renku<span> (or </span>haikai no renga<span>). By the time of </span>Matsuo Bashō<span> (1644–1694), the hokku had begun to appear as an independent poem, and was also incorporated in </span>haibun<span> (a combination of prose and hokku), and </span>haiga<span> (a combination of painting with hokku). In the late 19th century, </span>Masaoka Shiki<span> (1867–1902) renamed the standalone hokku to haiku.</span>[20]<span> The latter term is now generally applied retrospectively to all hokku appearing independently of renku or renga, irrespective of when they were written, and the use of the term hokku to describe a stand-alone poem is considered obsolete.</span><span>[21]</span>
