Answer:
Your answer is B.
Explanation:
The answer should be B "It appeals to readers' sympathy by describing difficult times." The mother and her family a going through a tough time right now because she clearly states that the mother is living off of frozen veggies, and birds the children kill. She just sold the tires off her car to provide for her children so they did not go without she does not have a lot of money and is currently living in a tent. The mood is to create sympathy for the family.
-Hope this helps feel free to ask questions!
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Answer:
the latest fashion among teens is goth, vintage, alt, cottage
Explanation:
Answer:
1 is A 2 is F 3 is A 4 is G
Explanation:
first one: 'sea horses are unusual' is an opinion because it cannot be backed by facts. some people might say that they look very normal.
second one: G and H are opinions. F and I and facts but sea horses' life span isn't mentioned in the passage.
third one: its said in the passage that seahorses are about 1.5 to 12 inches long. 1 is the only option that doesn't fit in that range.
fourth one: G is only one that cannot be backed by facts.
Answer:
"It's bad enough wasting time without killing it."
Explanation:
:] I took the test on e d g e ^^
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be