Answer:
Art from the past holds clues to life in the past. By looking at a work of art's symbolism, colors, and materials, we can learn about the culture that produced it. ... We also can compare artwork, which provides different perspectives, and gives us a well-rounded way of looking at events, situations, and people
Explanation:
Egyptians would revolutionize the literary world by producing a smooth, flexible writing material that could accept and retain ink without a blur or smudge. This material, papyrus, would remain in use for longer than any other material in the history of written documents.By the 11th century, papermaking was brought to Europe.
European improvements to the papermaking process came in the 19th century with the invention of wood-based papers.Before the invention and current widespread adoption of automated machinery, all paper was made by hand.Paper made from other fibers, cotton being the most common, tends to be valued higher than wood-based paper.
Im not sure if it’s real or not
Answer:
Maybe use somthing diffrent in the picture! If you exemple taking a potrait of a human you can have the same colurs in the face, like makeup or clothes as you have in the bakground. So it is looking a little bit like a camoflage or like you have became one with the background. Otherwise you can have a big contrast in the picture! like if the background is in clod tones and the thing or person that you are photografing have worm colurs. You can always play with lights and fairy lights!
Explanation:
Answer:
a. Terraced dynamics
Explanation:
Terraced dynamics, a unique characteristic of Baroque music, has to do with a quick alteration in tempo or volume that does not involves a progressive crescendos and decrescendos. The harpsichord, the basic keyboard tool of the era, could majorly perform forte (loud) or piano (soft) only, and couldn't perform crescendo or decrescendo in between, and thus results in a quick shift in dynamics. It is a specific character of music that represents it's success.
In some cases, they were highlighted in the score, but a large sort of area, it was agreed upon mostly by the performers or were directed by conventions which was fully expressed to all musicians.
