The Misunderstood Power of Michael Jackson's Music:
“His influence today proves him to be one of the greatest creators of all time, but Jackson's art--like that of many black artists--still doesn't get the full respect it deserves.”
More than two and a half years after his untimely death, Michael Jackson continues to entertain. But there is another crucial part of Jackson's legacy that deserves attention: his pioneering role as an African-American artist working in an industry still plagued by segregation, stereotypical representations, or little representation at all.
Jackson never made any qualms about his aspirations. He wanted to be the best. When his highly successful Off the Wall album (in 1981, the best-selling album ever by a black artist) was slighted at the Grammy Awards, it only fueled Jackson's resolve to create something better. His next album, Thriller, became the best-selling album by any artist of any race in the history of the music industry. It also won a record-setting seven Grammy awards, broke down color barriers on radio and TV, and redefined the possibilities of popular music on a global scale.
Of course, this poor coverage wasn't only about race. Biases were often more subtle, veiled and coded. They were wrapped together with his overall otherness and conflated with the "Wacko Jacko" media construct. In addition, as Baldwin astutely noted, there were not entirely unrelated apprehensions about his wealth and fame, anxieties about his eccentricities and sexuality, confusion about his changing appearance, contempt for his childlike behavior, and fears about his power.
It can mean a composition in two or more movements, or separate sections, played by a small group of instruments, having no more than three independent parts.
If there were no copyright laws, you would not be able to protect your music after releasing it. People could take parts, or even your entire song and claim it as their own, and you would have no legal bounds or actions against the plagiarism of your work.
