Explanation:
Well, to summarize a passage, you'd first have to read the passage. Afterwards, you'd most likely want to make sure that you understood it. Taking notes isn't required, but it's helpful if you aren't strong in understanding them. Next up, you'd probably try to find the main idea. Summarizing is something that you could do easily, even in your everyday life. You watch a cool movie this month? Summarize it.
Let's say I had just watched Endgame and I was SUPER eager to share it with somebody, but I can't give away the whole movie or else they wouldn't want to watch it and they'd most likely get mad at you. You'd have to summarize it. State the main idea and thesis and make sure that they can figure out what the plot is without you having to tell them the plot. You're welcome. (:
The answer is B (Not enough info to tell)
The appropriate responses are options 1, 2, 3, and 5.
Explanation:
Between World Wars I and II, American modernist literature predominated in the country's literary landscape. The modernist era focused on innovation in poetry and prose's structure and language, as well as writing on current issues including racial inequality, gender, and the human condition.
Many American modernist authors who were influenced by the First World Combat investigated the psychological wounds and spiritual scars of the war experience. The Grapes of Wrath by John Steinbeck, which was published in the early 1930s, is one example of how the American economic crisis affected literature. As employees became invisible in the backdrop of city life, unnoticed cogs in a machine that ached for self-definition, a linked concern is the loss of self and the yearning for self-definition. The mid-nineteenth-century emphasis on "creating a self"—a concept exemplified by Fitzgerald's The Great Gatsby—was mirrored by American modernists. As seen by The Emperor Jones by Eugene O'Neill, The Battler by Ernest Hemingway, and That Evening Sun by William Faulkner, madness and its manifestations appear to be another popular modernist topic.
But despite all these drawbacks, real people and the fictitious characters of American modernist literature both sought new beginnings and had new hopes and goals.
I think it could be B but I could be wrong
