Answer:The three types of music listening are: passively listening, responsively listening, and actively listening.
Passively listening is where someone is focused on doing something while the music is playing in the background, you are not really listening to the music and it is just part of your surroundings. Examples of this in real life are listening to music while you are doing your homework or having music playing while you are talking and eating dinner. This technique is the most basic out of the three listening types and is employed by almost everyone.
Responsively listening is when you are physically or mentally reacting to the music. This is when you may play music to make you feel a certain way (to pump you up or calm you down, or to make you feel happy) or you physically respond to the music such as dancing or moving parts of your body to the beat of the music. Another example is pacing your steps to the same beat that the music you are listening to is playing. Responsively listening allows you to gain the main health benefits of listening to music and react to music in a more advanced way than passively listening. This type of listening is also used by almost everyone whether it’s to use as a tempo or just to hype up to make you feel happy.
Actively listening is where you pay attention to the music, it is the focal point. Whereas in passively listening the music was just part of the background, when you actively listen you make everything else around you fade into the background as you set your main attention on the music. This is type of listening makes you pay attention to the little details of the music, past the lyrics. It makes you look at the beat, tempo, and melody of the song. This is a great skill to learn for musicians and instrument players. It allows you to look deeper into the music that you are listening to and be able to replicate it. Compared to the other skills this takes a lot of practice and skill to achieve. Not everyone can do it, but it is very helpful, especially if you want to or are a musician.
Overall, all of these listening skills are very important in their own way and all require a different skill level to achieve, but they are all useful and are integrated into our everyday lives, helping us to enjoy the world around us.
I really hope this helps!
Explanation:
Answer:
the anwser is E
Explanation:
Linda Nochlin’s “Why Have There Been No Great Women Artists?” (1971) is generally considered the first major work of feminist art history. Maura Reilly, a curator, writer, and collaborator of Nochlin’s, described the work as “a dramatic feminist rallying cry.” “This canonical essay precipitated a paradigm shift within the discipline of art history,” Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), “and as such her name became inseparable from the phrase, ‘feminist art,’ on a global scale.” A dryly humored analysis of the values by which artists are historicized and discussed, “Why Have There Been No Great Women Artists?” posited the first methodological approach for the discipline: that instead of bolstering the reputations of critically neglected or forgotten women artists, the feminist art historian should pick apart, analyze, and question the social and institutional structures that underpin artistic production, the art world, and art history.
In her own words, Nochlin grew up in “a secular, leftist, intellectual Jewish family” in Crown Heights, Brooklyn. In 1951, she graduated with a BA in philosophy and a minor in Greek and art history at Vassar College. Vassar is one of the so-called “Seven Sisters,” a group of historic women’s colleges along the Northeastern US (it became coeducational in 1969). “The good thing about a women’s college…was that women had a chance to do everything,” Nochlin stated in a 2015 interview with Reilly. “We were not pushed to the margins because there were no gendered margins…we were all there was.” In 1952, Nochlin obtained a masters in English literature at Columbia before undertaking her PhD in art history at the Institute of Fine Arts, New York University, where she wrote her doctorate on the work of Gustave Courbet. Aside from “Why Have There Been No Great Women Artists?,” Nochlin is perhaps best known for her 1971 book, Realism, a landmark study on the 19th-century movement.
Answer:
Here’s what a foreigner thinks of British culture:
Pubs. Pubs everywhere. Not only that, they are rarely drunk off their wits, and they generally just chat with their mates while drinking only one or two Guinness
“Mate”. I heard that word a lot and I think it’s actually pretty nice.
- Being called “love” all the time.
- Tea. Tea everywhere
- FISH AND CHIPS
- Traditionalism
- Class differences (sadly enough)
- Multiculturalism!
This is only to name a few.
Thin dun dunth think is the correct rythum
