Obviously, the third option C.Settings are determined by the actors in the play <span>is not a true statement about setting in dramatic plays. I bet you have never seen the actor that could decide how to organize the play or scene at all. Setting is the main point that influences on the audience making it maximally feel the play. Also setting is the place where action is occurring, so it definitely can change from one to another in order to make the play alive. Hope it is clear.</span>
Is there a passage to read???
Answer: Beowulf is sympathetic to the humans, while Grendel shows the monster’s perspective; Beowulf is a contemporary version of an old tale, while Grendel is based on oral tradition.
Explanation:
Both works are written in an Old English poetic style: There is just one work - <u>Beowulf;</u>
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Beowulf characterizes Grendel as bloodthirsty, but Grendel shows Grendel’s gentler side. - Grendel is a monster;
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Beowulf is sympathetic to the humans, while Grendel shows the monster’s perspective. Yes, it is a monster;
Both works focus primarily on the hero, Beowulf. - There is just one work - <u>Beowulf;</u>
Beowulf is a contemporary version of an old tale, while Grendel is based on oral tradition. - Beowulf is the hero of the work; Grendel in Norse mythology, Grendel is a monstrous character.
In "The Metamorphosis", by Franz Kafka, the status of Grete's and Gregor's relationship is important to the plot because
In "The Metamorphosis", by Franz Kafka, Gregor yearns to be free of his job and his family obligations. It seems as though his wish has been granted when he is transformed into an insect. He is forced to live within the confines of his room. Grete shows pity for her brother Gregor, and after the transformation is his only caretaker and bond with his family and humanity. If he loses her he is in real trouble.