The correct answer to this question is: They sometimes interrupt because they like the story they are being told. In this short story "The Storyteller" by H. H. Munro (Saki), the characters interaction is being described as a dynamic one, after listening to some stories the children react, response, reply and comment, most of the times in a bad tone. The children are asking questions to their aunt because they are bored, they are in a railway carriage and the following stop is almost in one hour. The children create satire, due to the fact that despite the aunt's efforts to keep them busy and perhaps quiet, they demanded more from her stories and often asked why. The bachelor in the carriage who was a stranger to them, answered one of their questions "Why weren't there any flowers?", whose was appointed by the children to be the most beautiful story they had ever heard, in contrast the aunt found it improper for the children. However, the young man replied that he was able to keep the children quiet with it, unlike her, whose stories have been plain during all the way.
Answer:it causes the reader to exult that life will ultimately triumph over death
Explanation:
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The play actually opens with the consequences of someone else’s ambition. In the first scene, audiences hear about the bloody conflict that resulted from the rebellion led by the Thane of Cawdor. The rebellion foreshadows the consequences of overreaching one’s role. The conflict is initiated when Macbeth encounters the witches who prophesize that he will become first the Thane of Cawdor, and then the King of Scotland. As soon as he learns that their first prophecy has come true, he is awakened to the possibility of the second also being realized. As Macbeth marvels to himself, “Two truths are told/As happy prologues to the swelling act/ Of the imperial theme” (1.3.128-130).
In a crucial turning point in the play, Macbeth is faced with a choice: to take decisive action to claim the crown as his own, or to simply wait and see what happens. Every choice he makes, and every thing that happens for the rest of the play stem from his decision here. Macbeth feels ambivalence, as he wants to be king but also knows that he owes Duncan loyalty both “as his kinsman and as his subject” (1.7.13).
