The grinch? Step by step explanation:
Answer:
I'm doing good!! How are you? :)
Explanation:
Just left to my own devices, I would have picked Stretch and/or Squash. The next closest thing (out of those three) is exaggeration. When you read the description of exaggeration, you find that physical characteristics can be exaggerated, but they should resemble some form of reality.
The second one is really a very close call. You could make a case for either secondary action, or follow through. The only one you could eliminate is pose to pose. That is reserved for how the action goes from one pose to another. That is more of a problem in technique than overall plotting. I think I'd pick follow through, because the character has stopped bouncing the ball, but he likely hasn't stopped sweating nor looking at his watch.
Pretty interesting question. You are not going to get asked that every day.
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
