* Expose the deeper meaning of core themes: Looking at the underlying ideas that make up a theme... can lead to subjective/meaningful interpretations of themes.. different from reader-to-reader. This turns a theme into a conversation with the reader.
How this can be done:
* Interviewing a credible person... and then connecting their responses with relevant background information/subjective beliefs and ideas.
* Tying logical ideas in with information/interviews/background that has an emotional aspect to it.
* Stylistically... regulating the flow of the text... so that there are never too many non-engaging factors... nor too much "loose" emotional writing (that only serves as "filler" that interferes with the text).
The answer to the question is letter "B. Rising Action". This is the part of the work where the problem and the conflict central to the plot is introduced. To this point of the story, things get more complicated for the main characters. The main characters may have done something to counter the conflict in this part but it is not yet resolved.
