Im pretty sure it is personification because its giving the grapevines a human action.
Answer:
<h2>Suger, (born 1081, near Paris—died Jan. 13, 1151), French abbot and adviser to kings Louis VI and VII whose supervision of the rebuilding of the abbey church of Saint-Denis was instrumental in the development of the Gothic style of architecture.</h2>
Explanation:
<h2>please mark me brainliest and follow me lots of love from my heart and soul Darling TEJASVINI SINHA HERE ❤️</h2>
Answer:
If you are on a woodwind instrument:
The notes at the top represent one instrument's part and the notes at the bottom represent another one of the same instrument's part. if the two instruments play in unison, there should be a nice harmonic sound.
For example, if you had two trumpets playing this piece, one would play the higher octave and the other would play the lower octave.
If you are on a Piano:
You can play these notes at the same time.
Count carefully and look at the time signature, key signature, rests, and articulation!
Good luck!
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
