I believe that based on this context, Faustus is being compared to Icarus.
In Greek mythology, Icarus was the son of Daedalus, who created a labyrinth where Minotaur was kept imprisoned. Daedalus and Icarus were too prisoners of the same island, and they wanted to escape using the wings that Daedalus made. However, Icarus flew too high near the Sun, and the wax on his wings melted and he fell to his death.
<span>The correct answer should be an allegory. It's usually a piece of art that has a literal meaning but that meaning is not important. What is important is the figurative meaning that lies within and that should represent or symbolize something else. For example, allegories about animals actually mean things about us figuratively.</span><span />
You could argue that Auden’s poem contains some of the Imagist elements W.C.W. pioneered, but the essence of their similarities is really in the approach of each to the role of individual experience.
Bruegel’s painting really captures the essence quite well—the fall of Icarus was a matter of myth and legend, but such noteworthy events as that are largely irrelevant to the lives of most. Life goes on and our duties do not wait for us to marvel at such intrusions.
You can see—below the ship—the legs of Icarus sticking out of the water, yet the ploughman still toils.